{"id":29035,"date":"2021-03-05T10:55:21","date_gmt":"2021-03-05T10:55:21","guid":{"rendered":"https:\/\/basurama.org\/?page_id=29035"},"modified":"2021-03-05T10:55:21","modified_gmt":"2021-03-05T10:55:21","slug":"texts","status":"publish","type":"page","link":"https:\/\/archive.basurama.org\/en\/texts\/","title":{"rendered":"Texts"},"content":{"rendered":"
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Open air: public space, trash, informality and meeting.<\/a><\/strong> DHAKA TOTEM, AECID Spanish Cooperation. 2018.<\/p>\n

Global Consume, Universal Citizen.<\/a> <\/strong>Perro Berde 07. Hispanic-Philipine Magazine. Published 2018. Text written in 2017.<\/p>\n

Agostamiento (Drought in Matadero): What\u00b4s all this?.<\/a>\u00a0<\/strong>Text related to the intervention in\u00a0Abierto x Obras, Matadero Madrid. Published in 2016.<\/p>\n

We love<\/span> the<\/span> M<\/span>-30.<\/span> About the<\/span> dream of building<\/span> a highway<\/span> under a<\/span> park <\/span><\/span>“Amamos la M-30. Sobre el sue\u00f1o de construir una autopista debajo de un parque”<\/strong><\/a>.<\/span><\/span> Madrid. Materia de debate 2003-2013. Vol II. – Burbuja. 2014. (Only in Spanish)<\/p>\n

“Touch, collect, display, order, measure, map, inflate and build with waste!”<\/strong><\/a> Pablo Rey Maz\u00f3n. Basurama 2014. The Grassroots Mapping Forum Journal. Public Lab. 2014.<\/p>\n

All our questions (not answers) for the discussion paper of the IFACCA 6th World Summit on Arts and Culture<\/a>.<\/strong> Santiago de Chile, january 2014<\/p>\n

The best the housing bubble <\/span>has left<\/span> us are <\/span>wastelands. <\/span><\/span>“Lo mejor que nos ha dejado la burbuja son los descampados”<\/strong> <\/a>.\u00a0Own publication for the project<\/span> <\/span> “Pic-nic vecinal”. September 2013. (Only in Spanish)<\/p>\n

Basurama: a framework for designing collectively with waste<\/strong><\/a>. Pablo Rey Maz\u00f3n. Reclaim and Remake International Symposium, Washington, DC (USA). 2013.<\/p>\n

Magical<\/span> Urbanism<\/span>: megaprojects<\/span> in the era of<\/span> wastefulness <\/span><\/span>“El urbanismo m\u00e1gico: megaproyectos en la era del despilfarro”<\/strong><\/a>. Patricia Molina Costa y Pablo Rey Maz\u00f3n. Magazine Ciudades 14. Valladolid, June 2011. (Only in Spanish)<\/p>\n

The planned<\/span> abandonment <\/span><\/span>“El abandono planificado”<\/strong><\/a><\/span>. Rub\u00e9n Lorenzo Montero y Pablo Rey Maz\u00f3n. Basurama. For the book Attractions are back.\u00a0Tours<\/span> visit to the amusement<\/span> park<\/span><\/span> Artxanda Ed. Consonni, 2010. (Only in Spanish)<\/p>\n

Reuse is<\/span> hitchhiking<\/span> <\/span>architecture<\/span><\/span> “<\/span><\/span>La reutilizaci\u00f3n es el autostop de la arquitectura”<\/strong><\/a><\/span>. Pablo Rey Maz\u00f3n. Basurama. Caja de Herramientas. Sevilla 2010. (Only in Spanish)<\/p>\n<\/div>\n<\/div>\n

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Textos<\/strong> from other authors that mention or interview Basurama:<\/strong><\/p>\n

Shaping urbanization for children: A handbook on child-responsive urban planning<\/a><\/strong>. UNICEF, 2018.<\/p>\n

Postgrowth Imaginaries: New Ecologies and Counterhegemonic Culture in Post-2008<\/a>.<\/strong> Luis I. Pr\u00e1danos\u00a0Spain. Liverpool University Pres, 2018.<\/p>\n

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Texts<\/span> from other authors<\/span><\/strong> that<\/span> we published in<\/span> Basurama<\/span><\/span>:<\/p>\n

Never\u00a0<\/span><\/span>garbage was<\/span> so beautiful<\/span> “<\/span>Nunca fue tan hermosa la basura”<\/strong><\/a>.<\/span> Jos\u00e9 Luis Pardo. Urban Distorsions. 2006.<\/p>\n

Art on waste “El arte en el desecho”<\/strong><\/a>. Denise Scott Brown.\u00a0Urban Distorsions. 2006.<\/p>\n

Three<\/span> advocations of the<\/span> urban crisis<\/span> at the beginning<\/span> of the XXI century<\/span>: “Tsunami<\/span> Developer<\/span>“, “<\/span>City-<\/span>Trash<\/span>“<\/span> and<\/span> <\/span>Prestige <\/span>Architectures<\/span> “<\/span>Tres advocaciones de la crisis urbana a comienzos del s.XXI: \u201cTsunami Urbanizador\u201d, \u201cCiudad-Basura\u201d y Arquitecturas de Prestigio”<\/strong><\/a>. Ram\u00f3n L\u00f3pez de Lucio, arquitecto-urbanista, octubre 2006.<\/p>\n

From the<\/span> inconvenient truth<\/span> to the discomfort<\/span> <\/span>of truth<\/span><\/span><\/span> “<\/span><\/span>De la verdad inc\u00f3moda a la incomodidad de la verdad”<\/strong><\/a><\/span>. Alfonso del Val. 2007<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

  Open air: public space, trash, informality and meeting. DHAKA TOTEM, AECID Spanish Cooperation. 2018. Global Consume, Universal Citizen. Perro […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-full-custom.php","meta":{"footnotes":""},"class_list":["post-29035","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/archive.basurama.org\/en\/wp-json\/wp\/v2\/pages\/29035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.basurama.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archive.basurama.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archive.basurama.org\/en\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.basurama.org\/en\/wp-json\/wp\/v2\/comments?post=29035"}],"version-history":[{"count":1,"href":"https:\/\/archive.basurama.org\/en\/wp-json\/wp\/v2\/pages\/29035\/revisions"}],"predecessor-version":[{"id":29036,"href":"https:\/\/archive.basurama.org\/en\/wp-json\/wp\/v2\/pages\/29035\/revisions\/29036"}],"wp:attachment":[{"href":"https:\/\/archive.basurama.org\/en\/wp-json\/wp\/v2\/media?parent=29035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}